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1
Modelling music with grammars: formal language representation in the Bol Processor
In: Computer Representations and Models in Music ; https://halshs.archives-ouvertes.fr/halshs-00004506 ; Computer Representations and Models in Music, Academic Press, pp.207-238, 1992 (1992)
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2
The identification and modelling of a percussion 'language', and the emergence of musical concepts in a machine-learning experimental set-up
In: ISSN: 0010-4817 ; EISSN: 1572-8412 ; Computers and the Humanities ; https://halshs.archives-ouvertes.fr/halshs-00004505 ; Computers and the Humanities, Springer Verlag, 1989, 23 (3), pp.119-214 (1989)
Abstract: International audience ; In experimental research into percussion ‘languages', an interactive computer system, the Bol Processor, has been developed by the authors to analyse the performances of expert musicians and generate its own musical items that were assessed for quality and accuracy by the informants. The problem of transferring knowledge from a human expert to a machine in this context is the focus of this paper. A prototypical grammatical inferencer named QAVAID (Question Answer Validated Analytical Inference Device, an acronym also meaning ‘grammar' in Arabic/Urdu) is described and its operation in a real experimental situation is demonstrated. The paper concludes on the nature of the knowledge acquired and the scope and limitations of a cognitive-computational approach to music.
Keyword: [INFO.INFO-CL]Computer Science [cs]/Computation and Language [cs.CL]; [INFO.INFO-LG]Computer Science [cs]/Machine Learning [cs.LG]; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; cognition; dialectical anthropology; drumming; ethnomusicology; formal grammars; inductive learning; language identification; stochastic automata
URL: https://halshs.archives-ouvertes.fr/halshs-00004505/document
https://halshs.archives-ouvertes.fr/halshs-00004505
https://halshs.archives-ouvertes.fr/halshs-00004505/file/qavaid.pdf
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3
The identification and modelling of a percussion language, and the emergence of musical concepts in a machine-learning experimental set-up
In: Computers and the humanities. - Dordrecht [u.a.] : Kluwer 23 (1989) 3, 199-214
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